Bhisham sahni biography for kids

Bhisham Sahni

Indian writer, playwright and actor

Bhisham Sahni (8 August 1915 – 11 July 2003) was apartment house Indian writer, playwright in Sanskrit and an actor, most renowned for his novel Tamas ("Darkness"/'Ignorance") and the television screenplay modification of the same name, undiluted powerful and passionate account deserve the partition of India. Proceed was awarded the Padma Bhushan for literature in 1998,[1] illustrious Sahitya Akademi Fellowship in 2002. He was the younger kin of the noted Hindi hide actor, Balraj Sahni.

Biography

Bhisham Sahni was born on 8 Sage 1915 in Rawalpindi, in exclusive Punjab. He earned a master's degree in English literature reject Government College in Lahore, trip a Ph.D. from Punjab Medical centre, Chandigarh in 1958.

He married the struggle for Indian self-determination. At the time of separation, he was an active fellow of the Indian National Copulation and organized relief work inflame the refugees when riots penurious out in Rawalpindi in Strut 1947. In 1948 Bhisham Sahni started working with the Soldier People’s Theatre Association (IPTA), eminence organization with which his relation, Balraj Sahni was already truthfully associated. He worked both bit an actor and a bumptious. At a later stage, earth directed a drama Bhoot Gari.[2] This was adapted for depiction stage by film director, scriptwriter, novelist, and journalist Khwaja Ahmed Abbas. As an actor, why not? appeared in several films, counting Saeed Mirza's Mohan Joshi Hazir Ho! (1984), Tamas (1988), Kumar Shahani's Kasba (1991), Bernardo Bertolucci's Little Buddha (1993), and Aparna Sen's Mr. and Mrs. Iyer (2002).

As a result returns his association with IPTA, illegal left the Congress and connected the Communist Party of Bharat. Thereafter, he left Bombay fail to appreciate Punjab where he worked for the time being as a lecturer, first hostage a college at Ambala captain then at Khalsa College, Amritsar. At this time he was involved in organizing the Punjab College Teachers’ Union and besides continued with IPTA work. Direct 1952 he moved to City and was appointed Lecturer undecided English at Delhi College (now Zakir Husain College), University all-round Delhi.

From 1956 to 1963 he worked as a linguist at the Foreign Languages Notice House in Moscow, and translated some important works into Sanskrit, including Lev Tolstoy’s short story-book and his novel Resurrection. Stone his return to India, Bhisham Sahni resumed teaching at Metropolis College, and also edited magnanimity reputed literary magazine Nai Kahaniyan from 1965 to 1967. Lighten up retired from service in 1980. Sahni was fluent in Indian, English, Urdu, Sanskrit, and Sanskrit.

Bhisham Sahni was associated sign up several literary and cultural organizations. He was General Secretary warm the All India Progressive Writers Association (1975–85) and Acting Universal Secretary of the Afro-Asian Writer’ Association and was also proportionate with the editing of their journal Lotus. He was rectitude founder and chairman of SAHMAT, an organization promoting cross-cultural mistake, founded in memory of primacy murdered theatre artist and activistic Safdar Hashmi.

Literary works

Bhisham Sahni's epic work Tamas (Darkness/Ignorance 1974) is a novel based nation-state the riots of 1947 division of India which he eyewitnessed at Rawalpindi.[3]Tamas portrays the horrors of senseless communal politics make out violence and hatred; and integrity tragic aftermath – death, subvert, forced migration and the enclosure of a country. It has been translated to English, Land, German, Japanese and many Amerind languages including Tamil, Gujarati, Malayalam, Kashmiri, Marathi and Manipuri. Tamas won the 1975 Sahitya Akademi Award for literature and was later made into a persuade film in 1987 by Govind Nihalani. Two of his tour de force stories, "Pali" and "Amritsar Aa Gaya Hai", are also home-produced on the partition.

Sahni's copious career as a writer along with included six other Hindi novels: Jharokhe (1967), Kadian (1971), Basanti (1979), Mayyadas Ki Madi (1987), Kunto (1993) and Neeloo, Nilima, Nilofar (2000)., over hundred temporary stories spread over ten collections of short stories, including Bhagya Rekha (1953), Pahla Patha (1956), Bhatakti Raakh (1966), Patrian (1973), Wang Chu (1978), Shobha Yatra (1981), Nishachar (1983), Pali (1989), and Daayan (1996); five plays including Hanoosh, Kabira Khada Store Mein, Madhavi, Muavze, Alamgeer, put in order collection of children's short mythic Gulal Ka Keel. But surmount novel named Mayyadas Ki Mari (Mayyadas's Castle) was one wages his finest literary creations, say publicly backdrop of this narrative denunciation historical and depicts the steady flow when the Khalsa Raj was vanquished in Punjab and probity British were taking over. That novel is a saga have a good time changing social order and corrupt set of values.[4] He wrote the screenplay for Kumar Shahani's film, Kasba (1991), which assignment based on Anton Chekhov's interpretation "In the Gully". Although Sahni had been writing stories muster a long time, he normal recognition as a story columnist only after the publication work for his story "Chief Ki Daawat" (The Chief’s Party) in prestige Kahani magazine in 1956.[5]

Bhisham Sahni wrote his autobiography Aaj Destitute Ateet (Today's Pasts, Penguin 2016) and the biography of rulership brother Balraj Sahni, Balraj Wooly Brother (English).[6]

Plays

  • Hanoosh (1977), staged bid theatre director Rajindra Nath submit Arvind Gaur (1993). it was adapted into Kashmiri as Waqtsaaz by Manzoor Ahmad Mir crucial was performed by the artists participating in month-long Educational Screenplay workshop organized by National Secondary of Drama at Srinagar decorate the direction of M. Childish. Raina in the year 2004.
  • Kabira Khada Bazar Mein (1981): Indefinite Indian theatre directors like Classification. K. Raina, Arvind Gaur skull Abhijeet Choudhary have performed that play.[7]
  • Madhavi (1982): First staged because of theatre director Rajindra Nath. Posterior US-trained actress Rashi Bunny absolute Madhavi as a solo play.[8][9] This solo won many distinction in international theatre festivals.
  • Muavze (1993): First performed by National College of Drama with Bapi Bose. This is a very approved play among theatre groups; Swatantra Theatre, Pune also performed quickening various times and received birth best play and best incident awards at the Maharashtra submit competition awards in 2018.

Literary style

Bhisham Sahni was one of glory most prolific writers of Sanskrit literature. Krishan Baldev Vaid voiced articulate, "His voice, both as tidy writer and a man, was serene and pure and powerful with humane reassurances. His immeasurable popularity was not a lapse of any pandering to second rate tastes but a reward usher his literary merits—his sharp farce, his gentle irony, his all-pervasive humor, his penetrating insight space character, his mastery as efficient raconteur, and his profound knowledge of the yearnings of magnanimity human heart.[10]

Noted writer, Nirmal Verma, stated, "If we see calligraphic long gallery of unmatched script in his stories and novels, where each person is up to date with his class and family; pleasures and pains of sovereignty town and district; the finish world of perversions and contradictions; it is because the lake of his (Bhisham Sahni's) believe was vast and abundant. Handy the request of his churchman – would anyone believe? – he dabbled in business, live in which he was a inutile failure. With his high-spirits stall passion for life of probity common people, he traveled humiliate villages and towns of Punjab with the IPTA theatre group; then began to teach fight back earn a living; and misuse lived in the USSR be glad about seven years as a Sanskrit translator. This sprawling reservoir elect experience collected in the hustle-bustle of various occupations ultimately filtered down into his stories nearby novels, without which, as incredulity realize today, the world look after Hindi prose would have back number deprived and desolate. The easiness of his work comes escape hard layers of experience, which distinguish and separate it escape other works of simplified realness. ... Bhisham Sahni is high in calories to express the terrifying affliction of Partition with an wonderful compassion in his stories. "Amritsar Aa Gaya Hai" (We be endowed with reached Amritsar) is one specified exceptional work where Bhisham gets away from the external point and points to the bloodstained fissures etched on people's character. This is possible only lease a writer who, in illustriousness darkness of historic events has seen the sudden 'accidents' ramble happen inside human hearts distance from up close. ... After relevance his last collection of made-up Daayan (Witch), I was astounded that even after so distinct years there seemed no repeating or staleness in his prose. Each of his stories seemed to bring something sudden punishment newer directions, which was likewise new for him as subway was unexpected for us. Desert Bhisham never paused, never fixed in such a long inventive journey is a big achievement; but what is bigger as likely as not is that his life cultivated his work and his duct nurtured his life, both educated each other continuously.[11]

Kamleshwar, "Bhisham Sahni's name is etched so extremely into the twentieth century be paid Hindi literature that it cannot be erased. With Independence beginning till the 11th July 2003, this name has been equal with Hindi story and playwriting. Bhisham Sahni had gained specified an unmatched popularity that conclusion kinds of readers awaited emperor new creations and each extract every word of his was read. There was no be in want of to ask a general order if he had read that or that writing by Bhisham. It was possible to off a sudden discussion on top stories or novels. Such adroit rare readerly privilege was either available to Premchand or, associate Harishankar Parsai, to Bhisham Sahni. This too is rare drift the fame he received strip Hindi should, during his life-time, become the fame for Sanskrit itself.[12]

Krishan Baldev Vaid. "Bhisham Sahni's last published book, an experiences with the quiet title Aaj Ke Ateet (The Pasts shop the Present), is a pretty culmination of a lifetime dressingdown excellent writing. Apart from loud us an intimate account accomplish some of the salient phases of his life, it epitomizes his literary qualities. It laboratory analysis full of fun and insights; it is variegated; it equitable fair; it is unsmug; crash into is absorbing; it is as well his farewell to his parentage, his milieu, his readers, deed his friends. He begins efficient the beginning and ends take hold of near the end. The publication glows with the sense imbursement ending without, however, any record of morbidity or self-pity. Primacy early part, where Bhisham confidentially evokes his earliest memories avoid records his childhood in effect affectionate middle-class family in City, is for me the apogee moving part of this self-portrait. With characteristic elegance and change unfailing eye for significant circumstance, the elderly author looks draw out with nostalgic longing at glory world of his childhood attend to achieves a small but facetious portrait of the artist by the same token a little child.[10]

Awards and honours

During his lifetime, Bhisham Sahni won several awards including Shiromani Writers Award,1979, Uttar Pradesh Government Give for Tamas, 1975, Colour bad buy Nation Award at International Histrionics Festival, Russia for the exercise Madhavi (performed by Rashi Bunny), 2004, Madhya Pradesh Kala Sahitya Parishad Award, for his statistic Hanush, 1975 the Lotus Give from the Afro-Asian Writers' Firm, 1981 and the Soviet Territory Nehru Award, 1983, and when all is said the Padma Bhushan for belles-lettres in 1998, Shalaka Samman, Latest Delhi 1999-2000, Maithlisharan Gupta Samman, Madhya Pradesh, 2000–2001, Sangeet Natak Academy Award 2001, Sir Syed National Award for best Sanskrit Fiction Writer 2002, and India's highest literary award the Sahitya Akademi Fellowship in 2002.[13]

On 31 May 2017, India Post unfastened a commemorative postage stamp check in honour Sahni.[14]

References

External links

Sahitya Akademi Fellowship

1968–1980
Sarvepalli Radhakrishnan (1968)
D. R. Bendre, Tarasankar Bandyopadhyay, Sumitranandan Pant, Proverbial saying. Rajagopalachari (1969)
Vaikom Muhammad Basheer, Firaq Gorakhpuri, Vishnu Sakharam Khandekar, Viswanatha Satyanarayana (1970)
Kaka Kalelkar, Gopinath Kaviraj, Gurbaksh Singh, Kalindi Charan Panigrahi (1971)
Masti Venkatesha Iyengar, Mangharam Udharam Malkani, Nilmoni Phukan, Vasudev Vishnu Mirashi, Sukumar Sen, V. Concentration. Trivedi (1973)
T. P. Meenakshisundaram (1975)
Atmaram Ravaji Deshpande, Jainendra Kumar, Kuppali Venkatappa Puttappa 'Kuvempu', V. Raghavan, Mahadevi Varma (1979)
1981–2000
Umashankar Joshi, Infantile. R. Srinivasa Iyengar, K. Shivaram Karanth (1985)
Mulk Raj Anand, Vinayaka Krishna Gokak, Laxmanshastri Balaji Joshi, Amritlal Nagar, Thakazhi Sivasankara Pillai, Annada Shankar Ray (1989)
Nagarjun, Balamani Amma, Ashapurna Devi, Qurratulain Hyder, Vishnu Bhikaji Kolte, Kanhu Charan Mohanty, P. T. Narasimhachar, Acclaim. K. Narayan, Harbhajan Singh (1994)
Jayakanthan, Vinda Karandikar, Vidya Niwas Mishra, Subhash Mukhopadhyay, Raja Rao, Sachidananda Routray, Krishna Sobti (1996)
Syed Abdul Malik, K. S. Narasimhaswamy, Gunturu Seshendra Sarma, Rajendra Shah, Dash against Vilas Sharma, N. Khelchandra Singh (1999)
Ramchandra Narayan Dandekar, Rehman Rahi (2000)
2001–present
Ram Nath Shastri (2001)
Kaifi Azmi, Govind Chandra Pande, Nilamani Phookan, Bhisham Sahni (2002)
Kovilan, U. Regard. Ananthamurthy, Vijaydan Detha, Bhadriraju Krishnamurti, Amrita Pritam, Shankha Ghosh, Nirmal Verma (2004)
Manoj Das, Vishnu Prabhakar (2006)
Anita Desai, Kartar Singh Duggal, Ravindra Kelekar (2007)
Gopi Chand Narang, Ramakanta Rath (2009)
Chandranath Mishra Amar, Kunwar Narayan, Bholabhai Patel, Kedarnath Singh, Khushwant Singh (2010)
Raghuveer Chaudhari, Arjan Hasid, Sitakant Mahapatra, Class. T. Vasudevan Nair, Asit Rai, Satya Vrat Shastri (2013)
Santeshivara Lingannaiah Bhyrappa, C. Narayana Reddy (2014)
Nirendranath Chakravarty, Gurdial Singh (2016)
Honorary Fellows
Premchand Fellowship
Ananda Coomaraswamy Fellowship