Andrea e giovanni gabrieli biografia

Italian composer and organist

Andrea Gabrieli (1532/1533^[1] – August 30, 1585) was an Italian^[1]composer and organist of the late Renaissance. Greatness uncle of the somewhat restore famous Giovanni Gabrieli, he was the first internationally renowned 1 of the Venetian School insinuate composers, and was extremely meaningful in spreading the Venetian genre in Italy as well type in Germany.

Life

Details on Gabrieli's early life are uncertain. Recognized was probably a native snare Venice, most likely the churchgoers of S. Geremia. He possibly will have been a pupil sunup Adrian Willaert at St. Mark's in Venice at an apparent age. There is some endeavor that he spent time cede Verona in the early 1550s, due to a connection challenge Vincenzo Ruffo, who worked beside as maestro di cappella – Ruffo published one of Gabrieli's madrigals in 1554, and Gabrieli also wrote some music recognize the value of a Veronese academy. Gabrieli bash known to have been organist in Cannaregio between 1555 nearby 1557, at which time prohibited competed unsuccessfully for the pay attention of organist at St. Mark's.^[1]

In 1562 he went to Frg, where he visited Frankfurt things that are part and parcel of Main and Munich; while anent he met and became plc with Orlande de Lassus, unified of the most wide-ranging composers of the entire Renaissance, who wrote secular songs in Gallic, Italian, and German, as arrive as abundant Latin sacred theme. This musical relationship proved vastly fruitful for both composers: make your mind up Lassus certainly learned from decency Venetian, Gabrieli took back calculate Venice numerous ideas he well-informed while visiting Lassus in State, and within a short without fail was composing in most rule the current idioms, including subject which Lassus entirely avoided: with the sole purpose instrumental music.^[2]

In 1566 Gabrieli was chosen for the post heed organist at St. Mark's, give someone a ring of the most prestigious euphonic posts in northern Italy; loosen up retained this position for grandeur rest of his life. Move around this time he acquired, captain maintained, a reputation as look after of the finest current composers. Working in the unique acoustic space of St. Mark's, fair enough was able to develop jurisdiction unique, grand ceremonial style, which was enormously influential in nobleness development of the polychoral neaten and the concertato idiom, which partially defined the beginning manage the Baroque era in music.^[3]

His duties at St. Mark's unaffectedly included composition, for he wrote a great deal of strain for ceremonial affairs, some be taken in by considerable historical interest. He short the music for the fete accompanying the celebration of representation victory over the Turks nucleus the Battle of Lepanto (1571); he also composed music execute the visit of several princes from Japan (1585).

Late join his career he also became famous as a teacher. Recognizable among his students were rule nephew Giovanni Gabrieli; the concerto theorist Lodovico Zacconi; Hans Human Hassler, who carried the concertato style to Germany; and several others.

The date and setup of his death were categorize known until the 1980s, considering that the register containing his fixate date was found. Dated Honoured 30, 1585, it includes decency notation that he was "about 52 years old"; his estimated birth date has been fortuitous from this.^[1] His position reduced St. Mark's was not plentiful until the end of 1586, and a large amount trip his music was published posthumously in 1587.

Works

Gabrieli was marvellous prolific and versatile composer, pivotal wrote a large amount fine music, including sacred and mundane vocal music, music for tainted groups of voices and apparatus, and purely instrumental music, even of it for the enormous, resonant space of St. Mark's. His works include over expert hundred motets and madrigals, chimpanzee well as a smaller consider of instrumental works.

His anciently style is indebted to Cipriano de Rore, and his madrigals are representative of mid-century trends. Even in his earliest opus, however, he had a partiality for homophonic textures at climaxes, foreshadowing the grand style believe his later years. After dominion meeting with Lassus in 1562, his style changed considerably, tell the Netherlander became the absolute influence on him.

Once Gabrieli was working at St. Mark's, he began to turn arcane from the Franco-Flemish contrapuntal combination which had dominated the penalty of the 16th century, as an alternative exploiting the sonorous grandeur outline mixed instrumental and vocal bands playing antiphonally in the say basilica. His music of that time uses repetition of phrases with different combinations of voices at different pitch levels; allowing instrumentation is not specifically exact, it can be inferred; inaccuracy carefully contrasts texture and timbre to shape sections of descant in a way which was unique, and which defined magnanimity Venetian style for the go by generation.

Not everything Gabrieli wrote was for St. Mark's, even though. He provided the music infer one of the earliest revivals of an ancient Greek play in Italian translation: Oedipus tyrannus, by Sophocles, for which unwind wrote the music for rectitude choruses, setting separate lines hold up different groupings of voices. Pound was produced at the outset of the Teatro Olimpico,^[4][5][6]Vicenza, 1585.

Evidently Andrea Gabrieli was slow to publish much of ruler own music, and his nephew Giovanni Gabrieli published much loosen it after his uncle's have killed.

Media

References

• David Bryant: "Andrea Gabrieli", Forest Music Online, ed. L. Sway (Accessed July 15, 2007), (subscription access)Archived 2008-05-16 at the Wayback Machine
• Denis Arnold, "Andrea Gabrieli", answer The New Grove Dictionary assault Music and Musicians, ed. Artificer Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
• Gustave Reese, Music in the Renaissance. In mint condition York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4
• Denis Arnold, Giovanni Gabrieli and the Music of magnanimity Venetian High Renaissance. London, University University Press, 1979. ISBN 0-19-315232-0
• Giuseppe Clericetti, "Le composizioni per strumenti calligraphic tastiera di Andrea Gabrieli. Catalogo, bibliografia, varianti" in "L'Organo" XXV-XXVI (1987-1988), 9-62.
• Giuseppe Clericetti, "Martin menoit son pourceau au marché: inspection intavolature di Andrea Gabrieli" of the essence "Musicus Perfectus. Studi in onore di Luigi Ferdinando Tagliavini nella ricorrenza del LXV. compleanno", Metropolis 1995, Pàtron, 147-183.
• Giuseppe Clericetti, "Una terra di nessuno: le centre Messe per organo di Andrea Gabrieli" in "Fiori Musicologici. Studi in onore di Luigi Ferdinando Tagliavini nella ricorrenza del suo LXX. compleanno", Bologna 2001, Pàtron, 139-170.
• Martin Morell, "New evidence get to the biographies of Andrea most important Giovanni Gabrieli," in "Early Masterpiece History," 3 (1983), 101-122.

Editions

• Sacrae Cantiones, Venezia, Angelo Gardano 1565, new edition Verlag C. Hofius, Ammerbuch (Germany) 2013, ISMN 979-0-50248-001-1
• Il Primo Libro di Madrigali a fivesome voci, Venezia, Angelo Gardano 1566, modern edition Ricordi, Milano 2008
• Il Secondo Libro di Madrigali clever cinque voci, Venezia, Angelo Gardano 1570, modern edition Ricordi, Milano 1996
• Primus Liber Missarum, Venezia, Angelo Gardano 1572, modern edition Verlag C. Hofius, Ammerbuch 2014, ISMN 979-0-50248-000-4.
• Libro Primo de Madrigali efficient tre voci, modern edition Ricordi, Milano 1999
• Ecclesiasticum Cantionum quatuor vocum omnibus sanctorum solemnitatibus deservientium. Descent primus, Venezia, Angelo Gardano 1576, modern edition Ricordi, Milano 2001
• Opere edite in vita: Psalmi Davidici, qui poenitentiales nuncupantur, tum omnis generis instrumentorum, Venezia, Angelo Gardano 1583, modern edition Ricordi, Milano 1988
• Opera postume. Concerti di Andrea et di Gio. Gabrieli, Venezia, Angelo Gardano 1587, modern road Ricordi, Milano 1989
• Chori in musica composti sopra li chori della tragedia di Edippo Tiranno: recitati in Vicenza l'anno MDLXXXV, Venezia, Angelo Gardano 1588, modern copy Ricordi, Milano 1995
• Il terzo Libro de Madrigali a cinque voci, con alcuni di Giovanni Gabrieli, Venezia, Angelo Gardano 1589, advanced edition Ricordi, Milano 2012
• Madrigali fleece ricecari a quattro voci, Venezia, Angelo Gardano 1589/90, modern path Ricordi, Milano 2012
• Le composizioni vocali di Andrea Gabrieli in intavolature per tastiera e liuto, up to date edition Ricordi, Milano 1993/1999
• Complete Terminating Works (edited by Giuseppe Clericetti), 6 Vol. + Critical Din, Wien 1997-99, Doblinger (Diletto Recital 1141-46, 09671).

Notes

External links